It’s no secret that I’m a huge blues fan. An argument could be made that the blues, as a genre, is at the core of all modern Western popular music, from jazz, rock ‘n’ roll, and country, right up to dubstep and digital hardcore. But that’s not why I love it. There are so many things about it that appeal to me it’s hard to know where to start. It’s a music that has remained vital, emotionally and spiritually, for more than a century, maintaining both a strong connection to its roots and originating forms, and at the same time embracing new styles and techniques. Charlie Patton, who died in 1934 somewhere in his forties (nobody knows for sure how old he was), could rise from the dead and would be able to hear catl or The Black Keys and not only understand their music, but recognize it as his own.
The prevailing stereotype, which derives largely from ’60s revivalist fans, is that it is a music of hardship and despair, sounding all too often like a cheap knockoff of Muddy Waters’ spectacular “Mannish Boy” (a song full of raw sexual energy and the irony of a grown man gently mocking the näiveté of his younger, more cocksure self, and an answer song to Bo Diddley’s “I’m a Man,” itself written in response to Willie Dixon’s “Hoochie Coochie Man”). These stereotypes certainly ring true in particular corners of the blues world, but only if one listens uncritically.
The blues is also a music of spiritual revelation, of race and class struggles, of love and sex and a whisky-throated howl from the back of a juke-joint on a hot Saturday night. It is also a music of honesty and reflection. Rock ‘n’ roll, the most famous of the blues’ bastard-children (and really, originally just a name made up to trick white people into buying R&B records), is about ego. Rock ‘n’ roll cries out, look how great I am, and says I love you because you are beautiful, because you’re perfect, and sometimes, I can’t believe you would hurt me. The blues won’t tell you these lies. The blues understands atonement. For every blues song saying you’ve done me wrong, there is one that says I know that I’ve done wrong. It asks for forgiveness, knowing it doesn’t deserve any. The blues says you aren’t that pretty, but neither am I; you can be spiteful and I can be cruel, but I love you anyway, and I’m asking you to love me too. The blues knows you aren’t perfect, and it doesn’t give a shit, as long as you tell the truth, even when it’s hard. Maybe especially when it’s hard. The blues is honest, and it’s raw.
If you know the blues mostly from artists like B.B. King and Buddy Guy, then I’m about to blow your mind. They are great performers, well-liked and respected for good reason. But they are slick and polished in a way that I think doesn’t reflect the core of the genre, or the power it can really have. Last year a friend of mine asked me to put together a small sampler of blues songs, to give her a sense of the genre. I wound up making a five-disc, one hundred song collection, mostly of country blues (but also some proto-blues, blues-punk, and even rock ‘n’ roll), that I think is a good introduction to what the blues can really be. That shows its raw side, its love of strong drink and causing trouble and licking sweat from its partner’s neck. I called it Drinking, Fighting, and Fucking: Lessons in the Real Folk Blues. I can’t distribute it here, because that would be illegal, but I’m going to give you the playlist, so you can assemble it yourself.
This is important music, and I hope you’ll seek it out.
Disc One
- Rosie – C.B. And Axe Gang
- Hard Time Killin’ Floor Blues – Skip James
- Ain’t Gonna Study War No More – Lead Belly
- Evil Blues – Mance Lipscomb
- Down The Dirt Road Blues – Charlie Patton
- Dry Land Blues – Furry Lewis & Frank Stokes
- Stop Breakin’ Down Blues – Robert Johnson
- Shake ‘Em On Down – Bukka White
- Three Women Blues – Blind Willie McTell
- Catfish Blues – Jack Owens & Bud Spires
- I Got Mine – Furry Lewis & Frank Stokes
- The Panama Limited – Bukka White
- When I Lay My Burden Down – Mississippi Fred McDowell
- C & A Blues – Big Bill Broonzy
- It Hurts Me Too – Tampa Red
- Drop Down Mama – Sleepy John Estes
- I’m A Steady Rollin’ Man – Robert Johnson
- When Can I Change My Clothes? – Bukka White
- Motherless Children – Felix Dukes, Mississippi Fred McDowell
- Furry’s Blues – Furry Lewis & Frank Stokes
- Cross Cut Saw Blues – Tony Hollins
- Working Man Blues – Sleepy John Estes
- You Can’t Get Stuff No More – Blind Willie McTell
- I Am In The Heavenly Way – Bukka White
- Me And The Devil Blues – Robert Johson
- Midnight Special – Lead Belly
Disc Two
- Jesus on the Mainline – Jame Shorty, Viola James & church congregation
- Baby, Please Don’t Go – Mississippi Fred McDowell
- A to Z Blues – Blind Willie McTell
- The Atlanta Special – Bukka White
- Sweet Blood Call – Louisiana Red
- Suffer – Jimmy McCracklin
- Catfish Blues – R.L. Burnside
- I Love You (Solo) – Asie Payton
- Motherless Children Have A Hard Time – Blind Willie McTell
- Goin’ Down to the River – Mississippi Fred McDowell, Fanny Davis & Miles Pratcher
- Down in the Alley – Big Bill Broonzy
- Sissy Man – Josh White (As Pinewood Tom)
- Shake ‘Em On Down – Mississippi Fred McDowell
- Boogie Chillen – John Lee Hooker
- Hoochie Coochie Man – Muddy Waters
- Mama Talk To Your Daughter – J.B. Lenoir
- Messin’ With the Kid – Earl Hooker & Junior Wells
- Big Boss Man – Jimmy Reed
- Killing Floor – Howlin’ Wolf
- Dust My Broom – Elmore James
- Bring It To Jerome – Bo Diddley
- Prison Bars All Around Me – Earl Hooker & Junior Wells
- Mannish Boy – Muddy Waters
Disc Three
- Nobody’s Fault But Mine – Mance Lipscomb
- Black Mattie – Robert Belfour
- Standing in My Doorway Crying – Jessie Mae Hemphill
- Peaches – R.L. Burnside
- It Must Have Been the Devil – Jack Owens and Bud Spires
- You Got to Move – Mississippi Fred McDowell
- Please Tell Me You Love Me – Asie Payton
- If You Like Fat Women – CeDell Davis
- You Better Run – Junior Kimbrough & The Soul Blues Boys
- I Found Out – Nathaniel Mayer
- Jumper Hangin’ on the Line – R.L. Burnside
- She Asked Me So I Told Her – T-Model Ford
- Done Got Old – Heartless Bastards
- Teardrop – Magic Slim
- I Got My Eyes On You – Robert Belfour
- Have Mercy on Me – The Black Keys
- Burning Hell – Canned Heat & John Lee Hooker
Disc Four
- Back to the Bridge – Asie Payton
- Keep Your Hands Off Her – Junior Kimbrough
- Bad Luck City – R.L. Burnside
- When The Lights Go Out – The Black Keys
- Breaking My Heart – Robert Belfour
- Feel Good Babe – Frank Frost
- Pucker Up Buttercup – Paul Jones
- Sail On – T-Model Ford
- Boogie Chillen No. 2 – Canned Heat & John Lee Hooker
- Modern Times – The Black Keys
- Ride Like Hell – Big Sugar
- Grind It Down – catl
- Chicken Dog – The Jon Spencer Blues Explosion
- Devil is on His Way – Joe Buck Yourself
- The Criminal Inside Me – R.L. Burnside
- Workin’ Man’s Soul – catl
Disc Five
- Travelling Riverside Blues – Led Zeppelin
- Memo From Turner – The Rolling Stones
- Shake It Baby – John Lee Hooker
- Boom Boom – The Animals
- Groundhog Day – Big Sugar
- Ole Man Trouble – The Jon Spencer Blues Explosion
- Happy Wanderer – Chad Parks and The Near Death Experience
- I Got Mine – The Black Keys
- Skull Ring – Big Sugar
- The Girl I Love She Got Long Black Wavy Hair – Led Zeppelin
- Oh Death – catl
- Blues X Man – The Jon Spencer Blues Explosion
- Over the Hill – R.L. Burnside
- Norene – Robert Belfour
- Why Don’t You Give It To Me – Nathaniel Mayer
- Empty Head – Big Sugar
- My Mind Is Ramblin’ – The Black Keys
- Hard Time Killing Floor Blues – Chris Thomas King
Thanks for this. It was a great read and stuff I agree with. I’m a bluegrass fan for some of the reasons you point out here.
woaaah, just found this. Lurking a bit on your blog because I like your writing generally, but this is a goldmine! I love the blues but am by no means knowledgeable about the different types and/or the history beyond what I would consider common knowledge. I look forward to exploring your list. (And, now that you’re stuck in WR, make sure you get to the free blues fest in August. It’s pretty great and there’s usually something for everyone — my guess is the smaller the stage the better for you. Check out The Boathouse workshop stage)