#1 – Leaven of Malice, by Robertson Davies

I wrote in my discussion of Tempest-Tost that I was interested in tracing the development of Davies’ system of identity construction through all eleven of his novels, and that Tempest-Tost offered insight into the first of what I believe to be the three major elements of that system: the kind of self-knowledge achieved by his élite, the aristocracy of the spirit (I was perhaps not entirely clear that, while it takes a number of factors for Davies to elevate a character to that aristocracy, it is his or her self-knowledge that is of chief importance). In that first volume, Davies presents us mostly with characters who have already managed the trick of fully constructing their identities, and so we are largely only capable of seeing the end result, not the process or the tools. For Davies identity is like a jewel; it must be cut before it can be said… Continue Reading

Sundry Things Number Two

It’s been quite some time since I posted an entry; no doubt those of you who don’t follow me on Twitter will have simply assumed that I’ve been eaten by dragons, or abducted by aliens, or sequestered in some dungeon by shadowy men in black Ray-Bans. None of these things are true, but they’re rather more interesting than the truth, the truth being that I’ve been struggling with a pretty severe bout of depression for most of the last year and a half (for reasons I have more than once alluded to, but will not go deeper into today), and have done little more than stare glassy-eyed at television and video games. I don’t vilifiy these things the way some do, but I’ve certainly let them take up more of my free time than I should have. Well, to be fair, I’ve also taken up running, but that’s a far… Continue Reading

Country Mouse, City Mouse: On Reading My Work Aloud

The Collected Tales of Nikolai Gogol, as translated by Richard Pevear and Larissa Volokhonsky, changed the way I look at fiction. I read the book first as an undergraduate, and then later as a graduate student. Pevear and Volokhonsky’s translation is astonishing, and I don’t think I’d have connected to the work so strongly if I’d read a lesser version. There’s any number of ways that you can divide up Gogol’s stories, but the obvious way is to place them in the same two categories Pevear and Volokhonsky do; rural Ukranian tales, and urban St. Petersburg tales. Seeing them side by side in that way, the careful reader will notice that the rural/urban division mirrors another division in the tales. The rural tales are very clearly oral in nature. They are loose, fluid, comfortable, adaptable. The urban tales, on the other hand are tight, structured, detailed. They are the very… Continue Reading

Oops

So for a variety of reasons, I can’t use my credit card this month, and decided instead to pay for my hosting with PayPal. What I didn’t realize, is that transferring money from a bank account to PayPal isn’t instantaneous the way it is from a credit card, or from person to person. Therefore: I won’t be able to pay my hosting bill on time (a whopping $15.38 USD), and my host has informed me that they will be suspending my account until I do. Fair enough. From what I can tell, this will happen sometime tomorrow. My money will not arrive in my PayPal account until Tuesday. This site will be down from tomorrow until probably Wednesday, and I will not be accessible via my normal email address either. If you absolutely must get in touch with me, use my “backup” email address: fishsauce@gmail.com. I appreciate your patience.

Too Aesthetic

Today The Walrus put up an interview with Lisa Moore. Interviewer Suzannah Showler injects the following sentence into the very first question: We’re at a point where “Canadian” is sometimes used as shorthand for literature that is too aesthetic or intellectual. I think Showler needs to name her sources on that one, because I can’t think of a single person with even a passing knowledge of the current state of CanLit who would say something like that with a straight face. Unless of course she’s discovered Canada’s great new satirist, a Stephen Colbert for the up-and-comers of Canadian letters. I’d also like to know who in the name of Christ’s watery haemorrhage thinks a phrase like “too aesthetic” has any place in a meaningful literary discussion. But I suppose that’s why I’m not writing for magazines.

#24 – Tempest-Tost, by Robertson Davies

I could write ten thousand words and still not convey the complexity of the position Robertson Davies’ work holds in my life. I somehow managed to make it through high school without reading any of his work, but his name was tossed around with great reverence, though not so great that he was beyond critique. There were a few battered copies of The Papers of Samuel Marchbanks floating around the classroom, and these were used as evidence of Davies’ obsolete sense of humour and the special quality he had of being “more British than the British.” It was not meant to be complimentary. No doubt Fifth Business was available somewhere in the school library, but I never encountered it. Still, he loomed large, the Grand Old Man of Canadian letters alongside Margaret Laurence, the Grand Old Dame. I went through a period of discovery when I first entered university. The… Continue Reading

Of Silences and Sealing Wax

I’d like to apologize for the long silence here at vestige.org; it has been a long, strange summer. I have not stopped reading (slowed, though), and unfortunately the silence may continue for some few days longer. Rest assured that I will return with book reviews and commentary (I already have the whole Salterton Trilogy and half the Deptford Trilogy to write about!). In the meantime, might I suggest a visit to The Literary Type, an excellent new blog operated by the fine folks at The New Quarterly.

#23 – The Sapphire Rose, by David Eddings

By now you’ll have realized that I make even less of an effort to review these books by Eddings than even my normal sloppy ramblings would suggest. I think there’s only so many ways you can say “this book was light and fun, and that’s all I wanted from it in the first place.” Things just don’t go much deeper than that between me and Eddings. But right now I’d like to talk about the concept of race in fantasy and science fiction. It pisses me off. When a science fiction or fantasy author uses the word race, they almost never mean it in the way it’s used in contemporary society. It doesn’t refer to the artificial classifications we make based on things like skin colour, but is more a curious intersection of ethnicity, nationality, and species. I’m not entirely convinced that it’s an Americanism, but it seems to show… Continue Reading

#22 – The Ruby Knight, by David Eddings

In the Belgariad, Eddings’ system of magic was a kind of profoundly American entrepreneurial system, dependent entirely upon the an individual’s strength of will. Education had a certain impact, but largely what mattered was the individual’s ability to impose their own desires on the shape of the world. Magic in the Elenium, by contrast requires that a person not only have a great deal of education, but also that they humble themselves before a power greater than themselves, that they ask permission to borrow some of that power for themselves. I think this is tied to the greater political complexity of the world Eddings has created. In the Belgariad, the political system was a simple, two-sided affair of might against might, good against evil. Even political power in that world was a matter of leaders on one side or the other exercising their will. In the world of the Elenium,… Continue Reading

#21 – The Diamond Throne, by David Eddings

We’re all familiar with the concept of comfort foods, things we eat when we’re feeling anxious or depressed. Familiar things that help us feel better in the short term. True Scotsmen, er, I mean, hardcore readers are also familiar with comfort books. They aren’t brought out just to lift our spirits in times of depression, but they can do that too. I may have mentioned this before, but David Eddings’ books are comfort books for me. I’ve loved them since I was a kid, though now that I’m older they’re just adventurey sort of fun. Now I’m sure I’ve told this story before. Eddings was pretty clear that he wrote for money, and there’s no literary pretensions anywhere in his work. Still and all, if his books were even half as much fun to write as they are to read, he had one hell of a good time making that… Continue Reading