Happy Bloomsday!
The title of this post says it all, really. So, happy Bloomsday! Get out there and forge in the smithy of your soul the uncreated conscience of your race!
The title of this post says it all, really. So, happy Bloomsday! Get out there and forge in the smithy of your soul the uncreated conscience of your race!
Last month I entered a contest at Open Book Toronto; they were giving away, as part of the Literary Press Group’s Fiery First Fiction campaign, seven books a week (from a pool of fourteen) . I entered and won the first week’s draw, and today my seven books arrived. Hooray! I received the following books: A Week of This, by Nathan Whitlock Shape of Things to Come, by Richard Lemm Stunt, by Claudia Dey Cricket in a Fist, by Naomi K. Lewis Fly on the Wall, by Jason Brink with illustrations by Jim Westergard Squishy, by Arjun Basu The Jealousy Bone, by Julia Paul Nathan Whitlock’s novel was the only book I’d heard of before the contest (I follow his blog), and I’ve been looking forward to reading it for some time, but now that I’ve had a chance to look over the others I can say that I definitely… Continue Reading
Often many of the most important choices a writer can make about a work of fiction are unconscious ones; the decision to use first or third person narration can seem more like intuition than anything else. There are times when I agonize over it, particularly when I’m heavily invested in the raw material (if I’m writing in the semi-autobiographical mode, for example). It’s not enough that it “feel right”; the choices I make also have to work with whatever point I’m trying to make, with whatever themes I’ve (consciously) chosen to include. For A Temporary Life, my novel-in-progress, one of the themes—or maybe it’s more accurate to say “problems”—I’m working with is that of memory. Using the first person form of narration came most naturally, but I’m not satisfied with how most writers present dialogue in first person narratives. Let me give you an example from a book I actually… Continue Reading
Jason Kottke recently posted a link to a book called 1001 Books You Must Read Before You Die, foreword by Peter Ackroyd and Edited by Peter Boxall. (I’ve used Jason’s referral code, as I’m not a member of Amazon’s program, and somebody should get the bump, should you decide to buy the book from that link.) Posting about a book like this is worthless, really, unless you’ve managed to take a look at the list, and so here it is (or so I’ve been given to understand). The list is composed entirely of fiction, and by that they mean prose fiction so nobody has to worry about struggling through Shakespeare or Milton (why Shakespeare should be much of a struggle is beyond me, but plenty of folks seem intimidated). It’s also pretty heavily biased in favour of books published after 1900, and we could debate forever why some books were… Continue Reading
The prose in this book was as compact and exciting as it has been for all the previous books, but Fleming was pretty obviously losing steam. The idea of dressing him up as a Japanese miner (including skin dye!) and training him in Japanese customs and then expecting him to pass muster in less than a week is patently ridiculous. The Japanese culture is incredibly nuanced, and at the time Fleming wrote this novel, the influence of the West had not extended so far into their culture as it has now, making Bond’s transformation even less believable. I suppose the only consolation is that it doesn’t work. Bond is found out very quickly by almost every Japanese person he meets. I won’t comment on the Euro-centric attitudes that border on racism; I’ve already mentioned how poorly Fleming fares with non-European cultures when reviewing previous Bond novels. All that should be… Continue Reading
I actually finished reading this on Thursday night (this being Saturday afternoon), but my allergies were so severe that I could barely think, let alone write a coherent blog post. Likewise last night after work. The allergies are with me still, but they have cleared sufficiently that I can now function more or less at my previous level, paltry and insufficient though that may be. The Amber Spyglass was not quite what the first two books were. It didn’t have the sense of fun, adventure and wonder of The Golden Compass, nor was there the sense of transition of The Subtle Knife. This was a book almost exclusively of conflict and self-discovery. It’s also a book of considerable controversy, probably more so than the other two. One of the big points of contention is the so-called “sex scene” near the end of the book. The two underage children do not… Continue Reading
The shortest of the three novels in the His Dark Materials series, The Subtle Knife feels very much like a transitional work. At least one new major character is introduced (Will), and a new magical object (for which the book is named), but otherwise very little seems to have happened as far as Lyra’s adventure to find her father is concerned. The book does feel considerably more mature, dealing more frankly with matters of sexual maturity and issues of moral authority (and not coming down entirely against moral authority; Pullman rather sensibly comes down only against arbitrary moral authority). I can’t say that I had as much fun reading this one as I did The Golden Compass, but I now have more respect for Pullman’s ability to pull together a functioning set set of rules for world-building. Lyra’s world seemed rather skimpy in the first volume, but pulls together nicely… Continue Reading
I had originally planned to read The Pale Horseman by Bernard Cornwell for book number thirty-eight, a book that had come to me along with a dozen or so others in a package from my father (whose taste in historical fiction is quite good; he steered me towards Patrick O’Brian, after all), and I had even announced that fact on this blog, but I got a hundred pages in only to learn that it was the second book in a series, and that while I had been sent the third book, I had not been sent the first. I am not the sort of person who will read a series out of order, so I switched to The Golden Compass instead, and here we are. For those not in the know (although how could you not be, given that it was recently adapted into a major motion picture starring Nicole… Continue Reading
I can’t remember anymore if I’d read some of these stories prior to this week, or if I’d simply heard so much about them that it only seems like I had. I was interested in reading this book because O’Connor had a reputation for being controversial, and also for being somewhat forgotten, although I don’t pretend to know how true that last is. I only know that finding even this one volume of her work was pretty damned hard, and I had to look for quite some time. (I may not have mentioned this before, but I don’t buy books online unless it’s absolutely necessary; even when buying used or remaindered, I prefer to give my money to someone in the neighbourhood.) I have no difficulty seeing how her stories could be seen as controversial back in 1948. They address head on issues of race and religion; they tackle a… Continue Reading
This is a bittersweet moment for me. Well, not this exact moment. More like three hours ago, when I finished reading the book. That was a bittersweet moment. You see, Michael Helm has only written two novels. On the one hand, I just finished reading a second spectacular novel by Michael Helm; on the other hand, there are no more Michael Helm novels left for me to read. I can guarantee you, that should I compile a list at the end of this year as I did at the end of last year, a list describing those books that I enjoyed reading the most in that year, both of Helm’s novels would be on it. In fact, I think it’s safe to declare Helm my favourite living Canadian author, supplanting the still wonderful Sheila Heti. Actually, come to think of it, all three of my favourite (living) Canadian writers of… Continue Reading