Writing

Back in the fall of 2002, when I was an undergraduate going into my final year at the University of Waterloo, I realized that, while I was doing okay for money that term, things were going to be tight once Christmas was over. I’d worked two jobs in high school (at one point working sixty hours a week on top of being a full time student, and maintaining a solid B+ average) and had been so burnt out by the experience that there was no way I would be able to get a job and deal with the workload of being a fourth year university student. I saw an ad for a short story contest, and decided that I would get a little bit of cash by winning that. There’s no way I could manage that level of hubris today, but back then I was kind of like that sometimes.… Continue Reading →

This is not a post about the Bechdel test, nor The Frank Miller test (dramatised here), aka the How To Tell If A Male Science Fiction Writer Is Obsessed With Whores Test. This post is not actually about gender representations at all. It does, weirdly, come from my having just read a post that is kind of, sort of, about those things. You see, a while back I wrote about China Miéville’s novel, Iron Council, and I had some trouble explaining exactly what was wrong with it, stylistically speaking. What I wrote was: Events that would later be referenced with specificity were described with a dream-like vagueness that often made it difficult to figure out just what the hell was going on. It felt like he was in such a hurry to move the plot forward that he ignored the mechanics of his prose. In addition, he once again made… Continue Reading →

The Collected Tales of Nikolai Gogol, as translated by Richard Pevear and Larissa Volokhonsky, changed the way I look at fiction. I read the book first as an undergraduate, and then later as a graduate student. Pevear and Volokhonsky’s translation is astonishing, and I don’t think I’d have connected to the work so strongly if I’d read a lesser version. There’s any number of ways that you can divide up Gogol’s stories, but the obvious way is to place them in the same two categories Pevear and Volokhonsky do; rural Ukranian tales, and urban St. Petersburg tales. Seeing them side by side in that way, the careful reader will notice that the rural/urban division mirrors another division in the tales. The rural tales are very clearly oral in nature. They are loose, fluid, comfortable, adaptable. The urban tales, on the other hand are tight, structured, detailed. They are the very… Continue Reading →

They had never been lovers, were barely friends, and he could count on one hand the number of times they had touched. He still felt deep in his bones, and lightly across his skin and hair, every one of those moments. If he closed his eyes, he could relive them all. The first time, when he had said or done something, he couldn’t exactly remember what, her eyes had lit up the way he imagined newborn stars would, the change from dark indifference to the powerful, blazing expression of life and attentiveness so abrupt and affecting that it was, paradoxically, almost imperceptible. She had reached out to him, impulsively, and given him one of the light embraces with which young girls so often express unexpected pleasure, careless of their potential force and investing in them, or so they think, only transient meaning. That first time was for him still the… Continue Reading →